The remainder of the book is devoted to two complementary essays: on "Sympathy and Theosophy" and "Creative Imagination and Creative Prayer." A section of notes and appendices includes original translations of numerous Su fi treatises. He also relates Islamic mysticism to mystical thought in the West. Corbin begins with a kind of spiritual topography of the twelfth century, emphasizing the differences between exoteric and esoteric forms of Islam. In this book, which features a powerful new preface by Harold Bloom, Henry Corbin brings us to the very core of this movement with a penetrating analysis of Ibn 'Arabi's life and doctrines. Through the richness of his personal experience and the constructive power of his intellect, he made a (. He was uniquely equipped not only to recover Iranian Sufism for the West, but also to defend the principal Western traditions of esoteric spirituality."-From the introduction by Harold Bloom Ibn 'Arabi (1165-1240) was one of the great mystics of all time. Corbin, like Scholem and Jonas, is remembered as a scholar of genius. "Henry Corbin's works are the best guide to the visionary tradition. In this sense, Ibn 'Arabi goes outside ontological horizons believing in essence or existence. While thinking of Blanchot's relationship and distance, it is argued that Ibn 'Arabi's idea of barzakh is the space of imagination, an intermediate reality works through distancing and setting relationship. Keeping a distance from each other not for the sake of knowing and comprehension, both the object and the human are at perpetual distance. ) itself in a passive and neutral relation becomes the image of itself. This paper argues that with Blanchot, the human in confrontation with the thing in (. The object never resembles anything but itself, the image of itself. The first version, as the copy of an object, is premeditated or provoked by the conscious process of the mind, whereas in the second version, of the image, a thing becomes a complete empty space outside human consciousness and finds the opportunity to shine itself in itself and for itself. Blanchot discusses two versions of imagination.
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